Two magnificent slammers primed to detonate your Friday? Ronald KOON’s at the helm, delivering two jacked-up joyrides via the ever-tasty Good Custard imprint. Funk-fired, floor-focused, and shamelessly feel-good? Consider your serotonin sorted!

Ronald KOON is what happens when East German vinyl romantics grow up, plug into modern circuitry, and decide disco never died—it just got re-edited. Hailing from Dresden, KOON isn’t merely spinning records; he’s reconstructing moods, stitching 70s soul into future-forward funk with a surgeon’s scalpel and a crate digger’s devotion. Since 2007, he’s turned dancefloors into mirrors of memory and momentum—gritty, glittery, and gloriously groovy.

Whether it’s his “Tri Tra Trullala” 2025 edit (a wink and a strut to Neue Deutsche Welle) or his velvety Onefy EP, KOON’s productions are sly invitations to let go, move sideways, and feel clever while doing it. He’s a frequent conspirator in the DISCOnnect collective—turning DJ sets into theatrical flourishes of sweat and sequins, always more than music, always more than nostalgia.

Ronald KOON: disco démodé, reloaded, and ready for the next resurrection.

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Discoholics Anonymous doesn’t ask for cookies. It slips them into your pocket while you’re not looking, the way clubs used to slip flyers into your coat lining at 4:37 in the morning. Some of them are harmless — the house keys. They keep the lights on, remember who you are, stop the whole thing collapsing when you hit refresh. Without them the site is just a room with no door. The others are curious little spies. They want to know which mixes you stayed for, which ones you ghosted, whether you