It could be me ranting about Disco, as I always do, but in this case it’s Raw Underground sampling the by now cultish monologue from Whit Stillman’s Last Days Of Disco (1998) movie.

Here it’s used with a throbbing House back drop that offers plenty of pound for penny ratio.

Fresh out on the effervescent Lisztomania Records.

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Discoholics Anonymous doesn’t ask for cookies. It slips them into your pocket while you’re not looking, the way clubs used to slip flyers into your coat lining at 4:37 in the morning. Some of them are harmless — the house keys. They keep the lights on, remember who you are, stop the whole thing collapsing when you hit refresh. Without them the site is just a room with no door. The others are curious little spies. They want to know which mixes you stayed for, which ones you ghosted, whether you