Matt Hughes carries a deep-rooted Northern groove sensibility, drawing from funk, soul, disco, jazz and house with effortless flair. Through solo work and the MAM project, he has carved out a rich catalog across respected underground labels while delivering standout remixes for names like Deadmau5 and Flight Facilities. Collaborations with Derrick McKenzie, Drop Out Orchestra and Art Of Tones have further shaped a sound defined by warmth, musicality and dancefloor finesse.

Here he moves once again with Berlin’s finest, Too Slow To Disco, with silky soft finesse motions.

From his TSTD Edits 18, I’ve chosen Waiting On True Love — a smoothly sophisticated gem glowing with diamond-cut brilliance, steeped in late-night ’80s soul and quiet, unfathomable beauty. It shimmers with that rare combination of elegance and emotional pull, where velvet grooves meet after-dark romance, unfolding with the kind of understated magic that lingers long after the record stops spinning.

Grab it here: https://li.sten.to/tstdedits18matthughes

Discoholics Anonymous doesn’t ask for cookies. It slips them into your pocket while you’re not looking, the way clubs used to slip flyers into your coat lining at 4:37 in the morning. Some of them are harmless — the house keys. They keep the lights on, remember who you are, stop the whole thing collapsing when you hit refresh. Without them the site is just a room with no door. The others are curious little spies. They want to know which mixes you stayed for, which ones you ghosted, whether you