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© 2024 Discoholics Anonymous Recordings
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The seasoned reworker, Lup Ino, is no stranger if you’ve kept your ear to the underground, where the vinyl never stops spinning and the grooves run deep. Over the past decade, he’s become a fixture in the re-edits scene, an alchemist who knows precisely which dusty tracks still have life in them. His magic? It’s the way he locates the heart of a forgotten classic, the beefiest, juiciest parts – the bassline that thumped through the speakers at a half-remembered block party, or the horn riff that once lit up a basement club on a hazy Saturday night.

Lup Ino throws these fragments of musical memory into his sonic cauldron, where elements from House music are both the binding agents and the lifeblood. Each track is stripped, looped, and then injected with that distinct House tinge, a pulsating rhythm that anchors it all, turning what was once familiar into something transformative, something fresh, where the line between the past and present blurs into a hypnotic beat that keeps pulling you in.

Link:

Lup Ino – BaBaBaby [Discoholics Anonymous Recordings]

Lup Ino

Discoholics Anonymous doesn’t ask for cookies. It slips them into your pocket while you’re not looking, the way clubs used to slip flyers into your coat lining at 4:37 in the morning. Some of them are harmless — the house keys. They keep the lights on, remember who you are, stop the whole thing collapsing when you hit refresh. Without them the site is just a room with no door. The others are curious little spies. They want to know which mixes you stayed for, which ones you ghosted, whether you