Here’s a strange but funkalicious concoction, mixed, loved up and compiled by The Melting Pot.

The Architects of the Good Groove have again delved deep to find untapped disco gold material and update it for club systems and basement parties alike. 
With infectious tracks plucked from obscurity, full of original touches as long extended mixes instead of the usual dull radio edits 

The four-to-the-floor pulse is imbued with a suggestive bit of shuffle and swing, with accents on the two and four. 
The grooves are more restrained than techno’s, leaning back rather than barreling forward; rich in harmony and atmosphere, buoyant as a jellyfish, bursting with lush textures and phosphorescent tones. 

The music here is highly reflexive; it allegorizes and extends the aesthetic of sampling, 
where the remixed version challenges the aura of the original and claims autonomy even when it carries the name of the original; 
material is added or deleted, but the original tracks are largely left intact to be recognizable.

– The Boogieman (scissored from Bandcamp)

This raises more questions than it answers, but who needs answers when you can kick it like it’s 1981?

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Discoholics Anonymous doesn’t ask for cookies. It slips them into your pocket while you’re not looking, the way clubs used to slip flyers into your coat lining at 4:37 in the morning. Some of them are harmless — the house keys. They keep the lights on, remember who you are, stop the whole thing collapsing when you hit refresh. Without them the site is just a room with no door. The others are curious little spies. They want to know which mixes you stayed for, which ones you ghosted, whether you