Ben Banjo Field takes Kiki Gyan’s Disco Dancer — that 1979 slice of Afro-disco genius cut in Nigeria when Gyan was still being hailed as Ghana’s answer to Stevie Wonder — and drags it, grinning, onto today’s floor. The rework doesn’t just respect the original groove; it electrifies it, tightens the kick, widens the synth, gives the congas a sharper swagger. Gyan’s dream of global disco always teetered between Lagos, London, and New York — here, Field finally makes good on it, polishing the pulse for a generation raised on side-chains and filter sweeps. It’s a love letter and a resurrection: the warmth of ’79 wired through 2025’s dance circuitry, proof that a true disco dancer never really leaves the floor.
